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In Love and War – Alex Preston

July 9, 2017

Esmond Lowndes has been sent down from his Cambridge college after being caught in bed with another man. His father, a senior blackshirt, has found him a job establishing a fascist radio station in Italy. If the idea is to keep Esmond’s mind off hanky-panky, it doesn’t work. After walking in on his maid’s daughter naked, he ends up having nightly threesomes with her and her sometime boyfriend Gerald.

Goad’s speech with frequent ‘Humm’ is infuriating.

I well remember the paintings in the Uffizi which he mentions.

The Anglican chaplaincy is unusually high church (though St. Mar’s Florence does advertise high mass nowadays) and mention of ‘The Peace’ is anachronistic. (Similar to his attempts in ‘The Revelations’)

And why would a Roman Catholic cardinal give an Anglican chaplain a role?

I had to look up ‘pelf’ = money, especially when gained in a dishonest or dishonourable way; puttees = strips of cloth, which were worn wrapped around the lower leg in a spiral pattern, from the ankle up to below the knee. They provide ankle support and prevent debris and water from entering the boots or pants; kepis = a French military cap with a horizontal peak.

Torture is graphically described – I don’t think I would have lasted hong.

The author: I did a lot of skinny dipping when researching In Love and War. There’s some skinny dipping in the novel but I probably did more than I needed to.

Quotations:

`I never show my work to anyone; Douglas says. Writing’s like shitting. If someone’s cheering you on, it’s hard to get going, but give it time and space and it’ll come. And by the way, if you don’t eat well, you won’t shit well: He pauses. ‘Did you love this chap?’

Esmond turns to look out over the river. It is past eleven. A gentle breeze is blowing, stirring the hillside and making tight waves on the surface of the water.

historian in The Spectator who has identified only twenty-nine years since the Roman Empire when a war wasn’t being fought somewhere in the world. We lurch from crisis to crisis and we learn nothing from history.

By the end of 1940, all Europe will be German, soon after, all of the globe will fly the Glorious Swastika. I burnt your degenerate books, your limp-wristed writing because I knew the risk they’d pose for you in the coming years. (I suggest you burn this letter, too.) We – the British Union, those of us who have remained faithful to the cause – will be at the forefront of Nazi Britain and we can’t have bad eggs amongst us. I hope you see that, Esmond.

Douglas was right: Fascism is just a refuge from the powerlessness of love.

The talk at the Berensons’ was all of the war, of how Italy won’t be ready for combat for at least another three years. No auto­motive industry, an agricultural economy. They’ll have to sit it out with the tea and oranges, as pa would say, as the north falls apart. It looks to be a lengthy thing, none of that Panglossian “It’ll be over by Christmas” stuff this time.

He said it was the writer’s duty to speak for those who couldn’t speak, who were trapped or overlooked or oppressed. He said, in times like these, novels should be written with broken fingers, and all poets’ eyes should – be black.

I have always loved beauty and the gender of those I love matters to me as little as their shoe size. It seems odd to me that so many humans limit themselves, slavishly. For now, it is Ada.

We only know ourselves, he’d said, in crisis. Character is theoretical until we act. I think today, Esmond, you beheld yourself Not quite the hero your father was, eh?

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